The
West Wing: Through The Eyes Of A Romantic
To
everyone who thinks that television has to be dumbed down to have
mass appeal, to
all those who believe that government office work, in particular
politics, will make boring entertainment and finally to all those
factions who doubt that drama can be entertaining without action,
sensationalism, or sex, you all are proven wrong.
For the rest of us, the days of despair are over. There is hope.
There exists The West Wing.
The
West Wing is an American political drama television series, created
by Aaron Sorkin. West Wing is the section of White House which houses
the American President, his advisors and senior staff. The West Wing
(TWW) ran for seven seasons between 1999 and 2007 and covered the two
term presidency of a fictitious Democratic president – Jossiah
Bartelet. Noted for its accuracy in depiction of lives and workings
of people who work there, The West Wing features amongst the top five
TV dramas of all time. It holds an IMDB rating of 8.6 at the time of
this writing, and has won twenty six Emmy awards and two Peabody
awards for its excellence in broadcasting.
Escapism
I
had a rebel streak while growing up. I saw myself as a young Howard
Roark who would not submit to society, a Robin Hood who did good just
to satiate my personal self. I saw myself as this crusader of
goodwill, the one who would clean government of its ills, the one who
would join politics and make it work, for good. After Tehelka
introduced the phrase “sting operation” to my vocabulary, i
invented scenarios in which i would bare corrupt politicians, expose
bad cops and would clean this entire 'system'. As we mature, that
rebel streak gives way to cynicism but along the way, it sows seeds
of escapism. We are all born idealists. We all live as escapists.
Political escapism is something that we all have dreamt of. “Things
would have been so different if only...”, followed by a sigh and
then a silent resignation, this is the reality of our politics.
Sadly, it is same, be it India or USA. Yet, all said and done, it is
eventually an escapism.
Sorkin
roots his brilliant idea in this escapism and applies it to the cream
of American politics – The President and his close staff who are
responsible for shaping up policy and public debate. In Jossiah
Bartelet, we have a fictitious democratic president who is an
academic economic professor, a nerd with encyclopedic knowledge, a
nobel laureate, a conservative liberal who believes in church yet
believes in separation of state and religion, a man not afraid of
making unpopular calls because that is what is is right, a family man
whose integrity and commitment to his nation and its people is beyond
question. If it was an Indian mythology, he would be the equivalent
of Lord Krishna in Dwapar Yuga. His staff consists of people who
dare to walk the talk, work night and days and have little life
outside, are not hesitant to reform archaic laws, tame lobbyists,
control opposition and at the same time maintaing support from their
own party. We are talking about a bunch of idealists who believe in
the greater good. These people are immensely talented, understand
each other, and have been given the charge to run a nation. One can
not ask for more idealized escapism than this.
Practice
v Idealism
Each
episode of TWW gives an in-depth look at the process behind how
policy framing works. We witness what the White House spokesman says
to media and what is the reality behind. How members of each party
try to stall the opposition and the means in which they go about it.
Through various legislative and executive loopholes, it shows how
processes are reinterpreted to suit the need. For many, including me,
it occasionally acts as lessons in civics as it has to inform first,
dramatize later. But rarely, it is comes off as didactic. Sorkin
sprinkles dry humor and wit as dressing to make it palatable.
Frequently, he has been accused to trivialize complex issues such as
social security, or health care, but television can be educational
only to an extent. Yet, even with all the theoretical politics thrown
in, once all the layers are undone, it is fundamentally a play
between idealism and practicality.
“Politics
is a dirty game played by dirty people”, my uncle told me as he
dipped his Marie biscuit in his hot cup of morning tea. I wanted to
argue but knowing the eventual futility, i kept quiet. The Nehruvian
idealism was a lost cause for him. Every nation, in its evolution,
goes through these phases of idealism and immediate reality. My
shining eyes brimming with hope were no match to his years of
resignation. Not surprisingly, he had also not heard or seen TWW.
TWW concedes that it is a dirty game but adds a twist that when good
people play the game, it does not has to be dirty. It can be played
smartly.
The
tussle between these two poles is layered both systemically and
individually. All characters in TWW can be plotted on a linear scale
where one end is the ideal ideological beliefs wherein principles can
not be compromised at any cost, while the other one is the impending
reality to get things done - to survive a day more, another day to
ignore and forget. Sorkin paints most of its cast as white, each
lying closer to the ideological end. But the one character who
impresses most is Toby Zielger, the Director of Communications in
this democratic administration. Played brilliantly by Richard Schiff,
Toby stands for ideals amidst a messiness of shortcuts and hacks.
Schiff's nuanced and textured performance provides a countenance to
this pain of an idealist who has to step aside every time he
understands that the world does exactly works as he wants to. One
has to pick battles, one has to understand when to keep quiet and
when not to take it sitting down. This sublime art of balancing two
extremes is extremely difficult in real life but to do justice to
such an emption in acting is an extraordinaire effort . Toby's
performance is a celebration of agony of an idealist wherein each
victory is a triumph of conviction and each loss is a lesson towards
perfection.
The
Dream Job
Imagine
the opportunity to serve your country, the potential to draft policy
and change future, to work with colleagues who understand your
thoughts before they are to be said, to work with your best friends,
to have a belief in oneself to deliver and to deliver what is most
important. To work with people who are equally passionate as you are
and to be surrounded by really smart individuals who equally care,
enjoy and respect their work is something that many of us search
throughout our lives. To be able to do what you really want is a
gift.
Sorkin
brings this work ethic front and close and does not pickle it with
undue sentiment or unnecessary sex. Romantic flings, trash talks
exist but are minimal and mostly kept in the background. It is
Sorkin's magical genius to create such powerful characters and to
make us believe in them. At the end of each episode, there is a wish
on everyone's lips to be a part of this on-screen team and do the
kind of the work that they do; everyone wants to enter politics.
Furthermore,
Sorkin layers each episode with long, meaningful and quite pedantic
dialogues and expects his actors to do justice to them. He has a keen
eye to remind us the cost of idealism as well. Leo Spencer, the Chief
of Staff in this administration lives alone as his wife left him
because he did not have enough time for her. Other characters are
also mostly single, either unmarried or divorced, but rarely in
relationships as there is no time outside work. But their love and
togetherness for each other is warmer than any family could be be.
In one episode, here is Leo talking to his colleague -
This
guy's walking down a street, when he falls in a hole. The walls are
so steep, he can't get out. A doctor passes by, and the guy shouts up
"Hey you! Can you help me out?" The doctor writes him a
prescription, throws it down the hole and moves on. Then a priest
comes along and the guy shouts up "Father, I'm down in this
hole, can you help me out?" The priest writes out a prayer,
throws it down in the hole and moves on. Then a friend walks by. "Hey
Joe, it's me, can you help me out?" And the friend jumps in the
hole! Our guy says "Are you stupid? Now we're both down here!"
and the friend says, "Yeah, but I've been down here before, and
I know the way out."
A
rich production quality, crisp editing, solid performance and
exceptional script, yet, TWW is not an easy watch. It takes time to
get used to its style. It is a demanding TV series. It expects
viewers to rise up and take notice, audience participation is
mandatory as it dissects one issue after another. It refuses to
appeal to the lowest common denominator. That it has a mass appeal is
indeed a surprising end result, even for its die hard fans. It
reaffirms our faith in humanity. People want to be treated with
respect and the shows that treat people with respect get it back as
well.
Dr.
Eric Rabkin, a professor in Literature department at University of
Michigan describes fantasy as “ the diametric, diachronic
reversal of the ground rules of the narrative world”.
Considering the present level of politics, Sorkin's The West Wing is
fantasy of orgasmic proportions. It comes very close to political
porn for nerds and idealists. The first time I saw TWW, i watched it
back to back, in its entirety, all seven seasons. Since then, i have
seen it three more times now. The itch to watch it another time is
getting stronger. As they say, once a romantic, always a romantic.